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Italianate Grandeur

….but it’s in London, of all places. This is a four storied residence of Victorian proportions, with one high ceilinged room after another. The designers here are the Real Deal. Both from Italy, Laura Sartori Rimini specializes in historic preservation and her partner Roberto Pregalli apprenticed with the famed italian interior designer Renzo Mongiardino who designed movie sets for Franco Zeferelli among others. I am mentioning this to point out how the apple does not fall far from the tree. This London home is filled with historic references of theatrical proportions.?The homeowners asked for “very homey, very cozy” and….by golly….they got that in spades.?How is “cozy’ created in such an enormous mansion of a home? Well, let’s look at the above dressing room. The chestnut paneled walls are one of the coziest finishes one can possibly imagine. Into this space is placed a capacious and inviting Empire bed with a patterned spread and various pillows literally thrown upon it. The seasoned antique rug and dark framed late 19th century seascape add more to this sense of history. The lighting?….soft, ofcourse.

The drawing room features hand painted wall motifs inspired by similar ones in the Topkapi Palace in Istanbul. ?The patterned rug, and antiques from Russia, France and England combine to create that lived in look of coziness.

The master bedroom is an Ode to Pattern….layers and layers of it. The antique paisley coverlet plays beautifully against the multiple patterned walls. Ordinarily the use of this much pattern feels chaotic to me. I literally cannot wait to leave the room. ?But this does not feel that way at all! Why? Because everything is muted and antiqued. The patterns are not full of contrast. They are softened, as if they have been washed thousands of times. I love being in a space where things have been well used and well loved.

Isn’t this a stunning bathroom!? Bold yellow and black striped walls set against a bold yellow and black marble floor. 18th century engravings and contemporary rattan baskets soften the edges.

One of the libraries features a parquet floor, faux painted books within the custom bookcase, and what looks like decorative hand painted border in the ceiling cove.

The second library, pictured to the right, features patchwork curtains of all things. Also a gilt wood sofa covered in red silk velvet and an 18th century Ottoman portrait. In this eclectic London home, the designers achieved their goal of creating a space that “resembles a Pall Mall gentlemen’s club.”

Photos from Elle Decor /April 2008

The Fabrics of Romance

Not only are these fabrics sensational, but the bold combinations and their setting is absolutely?the most romantic thing I have ever seen (at least today!). You are looking at some of the?displays from London’s Design Week (which occurred last month at Design Centre Chelsea Harbour).

The upholstered pieces are set upon empty stages against hand painted 19th century style backdrops that take us back in time. It reminds me of just how important “romance” is within a home. Even a linear contemporary style home must have some drama and romance to evoke?the emotions we lo-o-o-ve to feel.

One of the things that appeals most about these sets is the soft lighting. It whispers. Shadows are cast.?A sense of mystery is created…and yet everything is visible…the definition of the ruffles… the contour of your cheekbones. It all works to create a beautiful effect.

Photographs courtesy of The World of Interiors / March 2008

The Blush of Boldness

What do you do when when a client asks you to do up a house in bubblegum pink? Well…you try to talk her into coral, or watermelon…or….or….some other variation on the theme. San Francisco designer Stephen Shubel is well known for his bold ways with color and his palette for this Sausalito, California home is bright and light and airy. The above dining room is a deep salmon which is a yellow based red and easier to live with than blue based bubblegum or shocking pink. Copious amounts of white throughout the house cool down the high energy color and keep the mood joyful.

The coral salmon is lusciously repeated in the living room’s velvet sofa with a paler pink stripes (Pierre Frey fabric) on the chairs. Why is this room so inviting? Because it is not too complicated. The rug (it looks like sisal although it may be a wool) is neutral, as is the Burmese inspired coffee table crowded with oversized accessories, draperies and other elements. Pink is the star of this show and all other elements play supporting roles.

The petal pink walls pick up the color of the living room chairs and continue the theme in a gentle way, cooled down by white accessories and a punch of deep coral on the chair. What we see next is a dramatic change in color. We go from one monochromatic color scheme to another…

Wow!?Granny Smith Green! Do we like such an abrupt change? Does it work? You bet it does, and here’s why. Again, just one color is used….light, cheerful shades of green. This keeps the room uncomplicated. But the main reason it works so very well is that white becomes the common thread that winds through this entire house. It’s a dramatic continuous theme that makes us feel calm like it all makes sense. We humans love the beneficial tonic of a repeated theme.

And here it is once again in a bedroom…..White! and one other light and happy color. ?The crisp bed linens are from Leron with a flokati rug from Stark.

What a joyful home this would be to live in!

Photos courtesy of Veranda Magazine

Gulf Coast Light

The light and serenity of this Florida home pulled me like a magnet. I want to be there, breathing in the pale blues and greens, kicking my sandy feet up and sipping minted iced tea. All is well with the world! Welcome to a beachfront plantation style home designed by Rod Winterrowd.??Despite his New York address, this designer definitely has a feel for “place” and for what makes an inviting warm weather interior.?”The work I do is steeped in tradition,” explains the designer, “but it is contemporary in feel and comfort.” This incredible entry hall stopped me in my tracks. I didn’t even need to see the rest of the house (but of course…I couldn’t resist). I would have been perfectly comfortable right here. Notice the reclaimed brick floors with it’s antique Persian rug. New construction…genuine old materials. That’s a great way to telegraph that unmistakable sense of history. A pair of large down filled softly printed pillows brings this traditional 19th century styled bench into today’s world. (Back in the day the pillows would have been tiny, decorative and stuffed tight).

The huge oceanic vistas cry out for repetition within the house so the palette was limited to pale blue, slate, celadon and all the darker and lighter variations on that theme. It’s the narrow quiet palette which makes us feel so calm when we’re here. Calm, yes! Bored, no! ?We are entertained by the endless?texture of woven grasses (rattan and sisal), the softly colored yummy fabrics, botanical and photographic artwork and a few carefully chosen antiques.

Grounding shots of black keep this pale celadon dining room with its soft batik fabrics from floating out to sea. A black iron french styled chandelier hangs above a?Pierce Martin dining table whose base is crafted from dark rustic railroad ties. The black fireplace surround and the graphic black and white mirror frame (notice mirror leaning upon mirror) add more punch.

A lovely bedroom vignette features a unique port hole mirror and framed birds nest prints, all bathed in a continuation of the theme…soft blues, greens and crisp white. Easy. Breezy. And absolutely beautiful!

Geisha Glam

You are looking at an image of the new sushi restaurant Katsuya in Los Angeles. Dramatic isn’t it??I don’t usually blog about public places like restaurants, but I could not resist this one which I found in Elle Decor March 2008 (I know…it’s not even February yet!). The designer is the brilliant Philippe Starck who?is known for his interiors as well as his unique design of everyday items such as toothbrushes and computer mouses…mice? ?We are told that the restaurant features oversized photos of kimonos and other geisha images, including these succulent red lips. Why is this interior design so compelling? Let’s take a look at what it is composed of. First of all, there is something very edgy about the geisha tradition….the sexual energy of elegant women hidden under layers and layers of silk is quite intriguing. While this interior is something that one would not want to live with day in and day out, the designer has approached it with the same solid “design principles” that he might use for a residential space. No kidding! ?A very limited palette is used…the tables and chairs are all light neutrals and then POW! the red lips! A limited palette is always easy to be with and provides a perfect backdrop for the shiney red which literally lights up the room. Imagine if the tables and chairs were not neutral, but red or purple with patterned tablecloths and banquettes. The whole effect would have been entirely different.

Another “design principle” employed here in a beautiful way is the wide variation of scale. The furnishings are normal sized… simple and minimal with sticky legs. And then BAM! The photo is gigantic. (If anyone has the name of this photographer please let us all know. Perhaps it is Mr. Starck himself). Again, imagine if instead of this dramatically overscaled photo, there was a row of standard sized (20 x 30″) framed photographs. Hmmm….not so wonderful. The designer knew better and we design junkies and sushi eaters receive the benefits.

I am already planning my next trip to LA and this spot will definitely be on my list.

Hacienda in White

Nothing makes a more beautiful backdrop to vintage wood beams, leather furniture and western bronzes than white walls. Galleries do it, and we can too! The livingroom pictured here is from a 2,000 acre horse and longhorn farm in the rolling hills of North Carolina designed by Gralla Architects who are known for their equine properties. I love ranches and it makes my mouth water to see thisbeautiful combination of rustic details. The owner had collected the fabulous beams from 200 year old tobacco barns. When it was time to build, he was ready. Installed as mantels, posts and spanning the ceiling, they let us know there is history here. If these beams could talk, what stories would they tell? Architectural antiques that are installed in a permanent way connect us to the past and bring a texture to the space.

Popular in southwest design, Saltillo tile is used throughout the house to visually connect the spaces in still another way. Notice the see-through niche in the fireplace wall above, lined with saltillo tile and displaying collectibles. Navajo rugs and pottery bring the only color into this otherwise neutral palette. The white leather chair draped in ragged edged white elk hides is such an original statement. Who would have thought of that!? Isn’t it great?

Whoever said white tile is boring?! In fact, it’s needed here to provide relief from the rustic textures of the bathroom.

The designers on this project were rigorous about their Big Picture. The original theme winds its way from the main house to all of the out buildings. It shows up in the guest house, the horse barn, the arena and everything in between. Every space features an earthy palette with lots of white and wonderful rich red accents. The horse barn shown above has rustic heart of pine ceilings, dark wrought iron sconces, lanterns and stall doors and brick colored floor. Besides….I couldn’t resist showing you the adorable horse baby!

Colors in Conversation

These rooms are the inspired creation of Boston designer Frank Roop (featured in Elle Decor November 2007). Sophisticated, comfortable and full of unique combinations of furniture and art. Clearly an “artist” lives here…someone who makes bold choices that don’t go too far. Just far enough. The colors speak (but they don’t shout) to each other. They call across the room. they sing from space to space. The neutrals are in the smokey gray family, and the darks are rich chocolate and deep blue. The brights, however, are an amazing and courageous choice for this chilly northeast location…. bright aqua, turquoise, chartreuse and sky blue. (this is not Key Largo, after all!) But the designer has pulled it off beautifully. Shown just below is the other end of the same room which demonstrates more of this energetic color dialog from upholstered sofa to throw pillow, glass vase to book binding as the lively colors echo and repeat.

I adore the feeling of balance I have when I look at this room. Capacious sofas are set next to an elegant spindley etagere and contemporary floor lamp. And the sofa end of the room (first photo) features a big square upholstered mass with a pair of curvey, wirey legged mid-century tables that would float off the floor if they weren’t grounded by the more dense solid pieces! The combination of heavy and light, mass and weightlessness is spot on and just perfect.

This seating area repeats the theme of square upholstered pieces combined with curved mid century (Sergio Rodrigues) chairs and further iterations of aqua and chartreuse as they echo from room to room throughout the townhouse.

Scarlet Flourish

It’s that time of year and I wanted to share this absolutely stunning Christmas display with you. Created by Sybil Brooke Sylvester and covered in Southern Accents Magazine in Nov-Dec 2006. Using classic Christmas red, the designer has combined a variety of British lusterware containers from a coffee and tea service with brilliant red amaryllis, ranunculus and anemones. Traditional pine bows and red berries confirm that this is indeed a Christmas mantel.

When decorating for Christmas your displays will have more impact when you weave the very same theme throughout the house. Carry it onto your tabletop. Accent a bookcase, end table or chandelier with the same colors and finishes. The floral arrangement above is made in an antique silver wine cooler (great idea for a container, yes?) and comes across as quite tailored to complement this “masculine” room.

Flea Market Charm

Charm is an understatement…but here it is! These spaces belong to French antiques dealer Stephane Olivier whose shop is called La Petite Maison Antiquites found in the Cignancourt flea market in northern Paris. In interior design, each room is a composition. What makes the composition above absolutely wonderful is the variation of scale among the components. The cast iron deer head from the 1700s is remarkably large. Huge, in fact. Imagine how much less interesting this room would have been if the deer head were only 10″ high as many sculptures are. There is a world of difference. The leather and antler armchairs are 19th century, and the two lamps were designed by Olivier from aged wood and new contemporary linen shades…a nice touch of eclecticism.

A charming bathroom by Stephane featuring a cast iron statue and an antique carved wooden mirror. Note the peely paint window sash. While most of us would not use this amount of antiques in one room, the addition of one or two clearly old pieces sets a tone that says “this place has been around for awhile….and it feels as solid as tradition.”

High Contrast. High Style.

On the continuing theme of creating beauty with a limited palette, here is another gorgeous example of what can be done with textures and not a huge amount of color. Created by Los Angeles designers Jennifer Kates and Jude Scarboro to create Drexel Heritage’s Postobello Couture Collection above is a living room seating area in a medley of textures. The deep dark high gloss of the wood tables and chest is echoed in the frames of the bergere style upholstery and art work on the walls. Whites and creams are used with abandon. Luxurious fur (is that fox?) pillows incorporate the tans and honeys that soften the other contrasts. Notice the different finishes as well…from soft matte linens to reflective metal lamps and candle hurricaines.

The dining room continues a theme of rich, dark glossy woods with a high contrast graphic black and white rug. Warm tones on the chairs create a transition from dark to light.

The master bedroom is very different….but under the same design umbrella. The continuity of color is the genius of this house.

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